HELENSBURGH'S Maggie Hamilton (1867–1952), a talented embroiderer and painter of flowers and still lifes, presents a fascinating case study of a woman artist at the turn of the century, who worked and exhibited prodigiously across the fine and decorative arts, and yet has now fallen into obscurity.
The only painting by her in a UK public collection is 'Alas, April the 30th' in Newport, Wales. The daughter of Mary Stevenson and James Hamilton, a prosperous Glasgow bobbin manufacturer, younger sister of Glasgow Boys painter James Whitelaw Hamilton, and wife of the prominent Glasgow architect Alexander Nisbet Paterson (younger brother of Glasgow Boy James Paterson), Hamilton is today eclipsed by her more famous male family members.